I curated and edited wildlife footage connected to the color blue, using it as the central visual narrative. These visuals were projection-mapped onto a mural featuring swirling patterns, which added depth and movement as the surface interacted with the video. The projection mapping effects were carefully layered to highlight the mural’s textures, creating an interplay between static and dynamic elements that felt fluid and hypnotic.
Sound played a vital role in shaping the atmosphere. I collaborated with composer Josh Beck, who created an original soundscape using deep oceanic tones. The pairing of moving visuals and immersive sound transformed the space into a meditative, multisensory environment.